I am delighted that I have a beautiful knit top to add to my collection. The Marettimo Sweater is a perfect addition to my fall/winter/spring wardrobe. When Caitlin Hunter released this pattern during the summer, I fell in love with the bold lace stripes. I wasn’t necessarily planning to cast on another short sleeve top so soon after my Tegna, but after a wild summer I decided that a little deviation from my knitting plans would qualify as self-care rather than self-destruction.
I cast on Marretimo to celebrate my birthday in August and to eliminate any extra stressors, I used only yarn from my stash. The yarn – zen yarn garden in serenity silk + – was good enough for this project. While the fiber content was perfect, I did notice that the speckles in the yarn had greater contrast the the original design. The greater contrast in the main color meant that this sweater could easily become busier than I intended. So to mitigate that, I chose to work the lace and boarder in the same color (an idea first recommended by Kyle). This simplified the sweater and made the lace section truly pop, while also allowing the speckles their time in the spotlight.
Do I love speckled yarn? no, not really, and the more I knit with it the more I think, this looks so lovely in the skein and wound in a ball but when it’s knit up, it looks a lot like those printer ink test pages… maybe it’s just this particular yarn with the contrasting speckles. I’m not totally opposed to using speckled yarn again, but it seems less likely since lately I’ve been consumed by breed-specific yarns and local fibers.
Using stash yarn always comes with challenges – my contrast color is leftover from my Zweig sweater. I assumed I would have just enough to finish the sweater – and I cut it so close. Too close, really. My sleeve lace section is lacking in a coordinating bind-off. This is the only part of the sweater I’m questionable about – do I really like the contrasting hem? should it be longer? Should I try to find a similar blue singles yarn for the hem? For now, it’s okay – and since I rarely go back and fix my knitting, it will probably be okay for the rest of time.
I made quite a few modifications – first my gauge was tighter than the pattern. So I did some calculations and cast on for the medium size. After knitting the body, I realized that the neckline was far too open for my preference, and the sweater was much longer than I intended – so I ripped back and reknit from the armholes up – resulting in a more cropped sweater. From the separation for the arm holes – I knit the size small. I also raised the front neckline by binding off more stitches for my first bind off row and eliminating two short rows on both shoulders. This neckline is perfect for me! I felt so empowered to make an adjustment that was previously too complicated for me to complete. I think modifications might be my favorite thing about knitting at the moment.
I thought a lot about this project – why I wanted to knit it – and how it might affect me. I intended this project to be an exercise in beauty, where I would forgo my typical practical intentions and knit something I did not need. In the end, after thinking about beauty, realizing that maybe this yarn wasn’t my ideal of beauty, and reworking the shaping of the neckline, I’ve come to understand my own commitments to “the beautiful” in a new way. Somehow, I had come to associate “beautiful” with something I could not have. Maybe it was because I assumed beauty came with a heavy price tag, though I’m not ready to commit to this explanation. However, choosing to make a project that was primarily valuable for its appearance (secondarily for its function) placed the creation of beauty in my hands. No longer is beauty something outside me, now I know I can make something beautiful. And the way I can accomplish this is by thoughtfully planning out a project that is both visually enticing and environmentally considerate. The ethical deeply impacts the aesthetic – I can’t separate these two. Something cannot be beautiful unless it tells the story of concern for the environment and my neighbors well-being. When I look at my handmade wardrobe, pieced together from secondhand fabrics, unravelled yarns, and local or breed-specific fibers, I can see that these qualities contribute as much to beauty as the color, weight, or design.
My exercise in knitting a beautiful project was certainly thought-provoking (and it produced a new garment!). I might try this kind of experiment again, with a different virtue rather than beauty, maybe courage or honesty. But, for now, I’m still working out how beauty impacts my creativity and my craft. I have a lot to think about.