Finished Object: Logalong Circle Skirt

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Holy Moly. She’s finished.

My dreams of a full circle skirt knit in the log cabin style have been actualized.

I left my last post on this skirt a bit hesitant. I was unsure my design idea could even be realized and not at all confident my planning skills were up to the task. However, after taking a few gambles, I am pleased to say my skirt checks all the boxes. It’s full, flowy, light, high-waisted, and delightful. IT WORKED and I’m not totally sure how.

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Here are some specs:

  • I originally planned for ten triangle segments to make up my skirt, that number shrunk to seven after a layout test.
  • I seamed the triangles together with a three needle bind off.
  • I finished the bottom of the skirt with an i-cord edge treatment.
  • Each triangle uses 40 grams of Brooklyn Tweed Shelter. Overall for the whole skirt I used seven skeins of yarn.
  • I picked up stitches for the waistband and knit a casing for elastic

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The most difficult part of this project was decision making. I have no experience designing – and this was a pretty large and intense way to get my feet wet. I was baffled by the sheer amount of decisions that must be made in a garment. Stitch texture and yarn choice proved relative easy for me, but the waistband was more challenging. For a while I imagined I would knit the waistband separate from the body of the skirt and seam it together, but after mulling over this option for actual days, I determined that fitting a waistband to my body as well as the skirt would be beyond my skill level. So, I calculated the number of stitches needed to fit around my waist and picked up stitches to generally match this number. My waistband is taller than I imagined – but I think this height helps balance the volume of the skirt. It also ensure the skirt falls at a wearable length. One unintended result of my waistband that I love is how the body of the skirt (the triangles) start right at my hip.

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I’m pleased (and surprised) that this skirt has turned out as I imagined. During the construction process I felt a bit nervous about knitting so far out of my comfort zone, but now that I’ve worked through the decision making process I feel quite empowered. I’ve tasted the sweet results of seeing a project from design idea to finished project – and they certainly are addictive. Now I wonder if I can go back to settling for patterns that aren’t quite right (answer: probably not). But I’m not in a rush to give up patterns entirely. I feel quite grateful to Karen Templer and her marvelous idea for the #fringeandfriendslogalong, without which I would be skirt-less and uninspired.

 

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Logalong Plans and Progress

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When Karen Templer of Fringe Association announced the plans for a log cabin knit-a-long, I had mixed feelings. The log cabin style of knitting was never something that caught my eye, perhaps because I tend toward color minimalism – preferring solids to multicolored items. The log cabin construction style lends itself to items like blankets or scarves – anything square.

I knew if I wanted to join in this knitalong it would mean knitting a solid colored garment that incorporates the log cabin construction. Realizing that I have a baffling amount of sweaters (and more on the way), I knew sweaters were out of the running. I was left feeling sans inspiration for some time – without any confidence in my log cabin knitting plans – until early one morning I woke with the most brilliant idea. So brilliant that it takes a little extra explanation.

The Plan: Log cabin full circle mini skirt made of triangles.

I’ve been attracted to the look of full circle mini skirts this year (my logalong pinterest board has a few), especially those made of wool. They have volume and a little bit of sass that would really brighten up a winters day. While I haven’t found any patterns for a knit full circle mini skirt – I don’t see why it can’t be done.

Full circle skirts can easily be broken into triangular sections – like pieces of a pie.

But is a triangle even a log cabin thing? Yes it is my friends, quilters do it and so will I.

By using a circle skirt calculator for sewing, I was able to make some extra calculations to create triangular sections. But, in order to have room for the waist, I have to chop off the very tip of the triangles – making them trapezoids with triangle insides… a hyprid shape.

My original plan is to have 10 triangles 15 inches high with a 15 inch base. That will give me a very full skirt and a pretty short mini. I’m planning for the waist to have a little bit of negative ease (being knitwear and all) and adding a waistband (maybe with some cables?).

That said, I’m about five triangles down, and I’m starting to think I might prefer the skirt with a little less volume – maybe a 3/4 circle skirt – so I might stop with eight triangles, maybe even six, it all depends on if I can make the waist fit.

The Yarn: I chose to use Brooklyn Tweed Shelter in the Old World colorway. I am so excited to finally be working with this yarn. I really wanted to see what it was like working with a wool that blooms after blocking – and I can confidently say it is everything that I’ve hoped and dreamed for. While knitting, the yarn feels stiff, scratchy, and sticky – however after a 30 minute soak in warm water it transforms into a drapey, soft piece of fabric. After knitting and blocking my test triangle I was so surprised by the change in fabric characteristics. I went from unsure that this design would even be possible to very excited and confident that it would work.

The Old World colorway is a navy blue tweed with flecks of bright red and turquoise. I know this skirt will fit in with my wardrobe color palate. That’s why I chose it. I’m actually using two dye lots (break all the knitting rules!) but since this skirt is made of pieces, I figure the difference won’t be noticeable.

The Log Cabin: While most of the log cabin knits I’ve seen are made of garter stitch, I chose to knit my triangles in stockinette. I was really drawn to Norah Gaughan’s Log Cabin Shawl pattern, especially her use of different stitch textures in the log cabin blocks. However, after a small test with alternating stitch textures, I realized my triangles were better suited for a very basic stitch pattern. The bit of inspo I did pull from the Log Cabin Shawl was the use of a ridge to separate between blocks (however, my ridge is way simpler than the one used in this shawl pattern).

While I’m excited about this skirt, I won’t fully know if the whole idea works until I seam the pieces together and try it on. I’m proceeding with fingers crossed and a general attitude of knitting recklessness.

Finished Object: Circlet Shrug

Today felt like the first real day of autumn. It was the perfect day to break out my newest finished object: my Circlet shrug. which I have named Goblin Made because the cables and lace remind me of the sword of Gryffindor, plus Goblin’s make beautiful and amazing things – this shrug deserves to be one of them.


I spotted this pattern in making no.3. Its a beautifully complex cable pattern by the queen of cables -Norah Gaughn. At first glance I placed this pattern on the back burner. In my mind I wanted to make it out of reclaimed yarn and I knew finding a suitable yarn substitute from thrifted sweaters would be a challenge.  Such a challenge that I threw out the idea all together when my mother in law said she wanted to buy me a sweaters quantity of yarn for my birthday. Um, enough of this perfect yarn to make a perfect shrug??? YES PLEASE


Let’s take a break to talk about my amazing mother in law, Barb. Barb is an incredible knitter. She also is on a mission to keep all local yarn shops in business. For her, helping the local community is her main hobby. Her mission is an honerable one. I hope I can be as generous as Barb one day.

Barb’s generosity meant I could buy enough of the recommended yarn to create this beautiful shrug.


the yarn: So about this yarn… Brooklyn Tweed Arbor in the potion colorway. I have been longing to knit with Brooklyn Tweed since I became a yarn snob (three years and counting). They’re American made – American wool, milled in the USA, and dyed here too. Yay! This yarn is difficult to describe. It’s DK weight, but it produces a very stiff fabric. So for this garment the stiffness and memory of the wool make the cables and lace stand out quite clearly.


the pattern: Now it’s time to talk about constructing the garment. This pattern was a bit tricky for me. Basically it’s knit as a long rectangle and the long sides are seamed. But there are gradually sloping rib sections on the front sections that add complexity. After reading through the pattern carefully two or three times, I was able to press onward in my knitting (though still a little timid).

The cable section is based on a 20 row repeat. I wouldn’t necessarily say this is a memorizable pattern, but I would say I tentatively remembered it by the time I reached halfway through the back section. So that did mean I spent a lot of time with the pattern in front of me. I also spent a lot of time tinking back rows where I forgot to add the lace eyelets which are added on the wrong side – easy mistake.

The pattern left the side seaming up to the knitter. I used mattress stitch and seamed about 3/4 up the side. The arm hole is loose enough for my preference. Considering my history with tight armholes and sleeves I consider this a massive success!


reflections: I saw this pattern as a contemplative exercise. While most of my knitting is like a race to the end, this one was a slow practice in taking things easy – not rushing. This is something I am very bad at. I am a very rushed human being. When I played cello in school I most certainly was the culprit behind our orchestra wide rushing problem. I think the rush is in the very fiber of my being, but that doesn’t mean I can’t take some time to call it to the foreground, examine it, and maybe question it a bit. So, as I knit this shrug, every time I felt like rushing to the end of a row or section, I reminded myself that with this pattern I could just put it down right there. If I wanted to rush I could pick up a sock. But this project was all about slow.

I think the slow really benefited this pattern. There is only one mistake, a miss-cross of a cable, that I caught after completing two of the chart repeats. Considering I would have had to rip out 40 rows, I decided to keep the mistake and embrace it as a design element. After all, contemplation isn’t really about the best, rather it’s about building new habits and reflection and that miss-crossed cable dropped me straight into reflection mode.

I love this shrug, I think it’s a great piece for layering in fall/winter. The color is perfect for my palate. The yarn is amazing. The details are delightful. It’s the perfect statement piece for me (low on the statement but high on the detail). 100% recommend to anyone interested.