I set my sights on a pink pullover long before this Pink Birkin ever materialized. In its materialized Birkin form, my pink pullover dream has been smashed to pieces and replaced with something divine.
I am simply thrilled, absolutely beaming, that I can call this colorwork yoke sweater mine.
First I want to gush over what I love about this sweater: the colorwork yoke and the body shape. I have not attempted colorwork of this scale before, not to mention never tried my hand at holding three strands in one colorwork row. I think I could have managed my yarn with more grace (I wish I had seen this video by Dianna Walla on stranded colorwork!), but blocking truly worked miracles. Even with superwash yarns with nylon content, blocking still managed to fill in the gaps left by my inexperienced colorwork hands.
The shape of this sweater is loose and relaxed – my most essential life values. Thanks to the unique a-line shaping (increased needle size rather than increased stitch count) the body of the sweater did not feel monotonous or strenuous to knit. My initial gauge swatch was a bit small on the recommended needles, so I went up a needle size – swatched again, and felt comfortable with my results. After the surprising close fit of my Zweig, I decided to knit a size larger than I would typically knit for extra positive ease to ensure my Birkin had space to breathe.
So I did fudge a few things. First, I used heavier weight fingering yarns for the colorwork while my main color yarn was lighter weight. What did this do? Well it threw off my row gauge in the yoke section and I created a much deeper yoke than I was expecting. Considering the whole sweater is a relaxed fit, this doesn’t actually affect the overall look or function one bit.
Second work around: I used superwash yarns instead of yarns better suited for colorwork like a more rustic wool. How did this affect my Birkin? Well, I was on the verge of a breakdown before I knew blocking would even out the colorwork section. I had no idea how superwash wools would behave in a colorwork yoke or of blocking would work the same kind of magic. Final assessment: the magic isn’t exactly the same, but it’s smooth – I’m happy. Superwash wools also have a tendency to grow (elongate) after blocking. Therefore, my Birkin is a little longer than I was expecting and the 3/4 length sleeves hit me at my wrist – but again this only adds to the relaxed feel I was going for.
Using superwash wools created a very fluid sweater while the heaver yarns in the colorwork section create a more stable shoulder section.
I used Manos del Uruguay Alegria in the Petal colorway for the body (2.66 skeins) and a variety of Bergere France Ideal for the colorwork yoke (check out my ravelry page for exact colors). I wouldn’t necessarily buy these two yarns on my own as I prefer to work with natural fibers without chemical treatments. These yarns were gifts from various parties excited to help me along on my knitting journey from I time before I was vocal about my ethical preferences (and I’m still not very vocal to be honest). Since they were in my possession, however, I decided it was best to use them up.
I feel committed to using what I have rather than purchasing new materials as a way to unwork some of my consumerist habits. Part of my approach to ethical making that keeps it affordable and accessible to all income levels is my commitment to materials that already exist – materials in my possession being the best to use first.
I hope my Pink Birkin will continually remind me of this commitment, even after the new sweater joy fades and it begins its regular rotation in my sweater collection.